BASS SOUNDS: Music for Unaccompanied Cello from the Early Baroque

by Emily Davidson (Baroque Cello)

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Øyvind Kvålsvoll
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Øyvind Kvålsvoll Another masterpiece production, a cello that has the natural sound and power and dynamics of a real acoustic instrument.
Other producers should listen and learn, far too many classical recordings with flat, compressed, distorted sound - attempting to make it sound louder and more powerful, achieving the opposite.
And if you are concerned about noise due to the large natural dynamics then just offer it in 24-bit resolution like Emily does, and that potential problem is solved.
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*New album, BASS SOUNDS: Evolved, releasing on July 31, 2014

Musicians and classical music fans are familiar with the Cello Suites of J.S. Bach; BASS SOUNDS examines the predecessors to these famous pieces. Ricercars by Gabrielli and Antonii use the cello as a true bass line voice—many of them don’t expand beyond the tenor range and make good use of the low register. The music is dark, mysterious, and peculiar at times, but never fails to convey a time period of rich musical expression. When we immerse ourselves in the unaccompanied cello music of the 17th century, we hear Bach’s Cello Suites in a new way.

credits

released February 17, 2013

Performed and recorded by Emily Davidson
Mastered by Chris Davidson
CD design by Cindy LaBreacht

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Emily Davidson (Baroque Cello) Cambridge, Massachusetts

Emily Davidson, Baroque cellist, is a leading voice in the new generation of historical performance. Originally from New York, Emily currently lives, performs, and teaches in the Boston area. She has studied historical performance at festivals and academies nationwide, and appears regularly as a soloist and continuo player. ... more

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